TY - GEN
T1 - Uncovering Layers of History Through an Archaeological Excavation Prototype with a Tangible UI
AU - Paananen, Siiri
AU - Etto, Juri
AU - Eckhoff, Emma
AU - Colley, Jemina
AU - Häkkilä, Jonna
N1 - Publisher Copyright:
© IFIP International Federation for Information Processing 2024.
PY - 2024
Y1 - 2024
N2 - Digital economies are perceived as offering new potential for Indigenous people to exploit more significant shares in the digital sector while producing positive community outcomes. Respecting the views and rights of the participating cultural groups is of vital importance in any project that deals with living cultural heritage (LCH). At the same time, access to online cultural heritage has not sufficiently adapted or catered to the new habits of social media consumption, especially among the younger Indigenous generations, who wish to use their own devices to document artistic processes embedded in the cultural heritage of their ancestors, which is sensitive information they may not readily share. The objective of this paper is to explore how digital devices can foster a critical exchange by Indigenous communities. One important finding is that not all communities want such an exchange, but artists, for example, can use them without sharing content beyond personal use. This paper emphasises the challenge of making the intentions behind a story clear to users while guarding this intention and meaning from misuse.
AB - Digital economies are perceived as offering new potential for Indigenous people to exploit more significant shares in the digital sector while producing positive community outcomes. Respecting the views and rights of the participating cultural groups is of vital importance in any project that deals with living cultural heritage (LCH). At the same time, access to online cultural heritage has not sufficiently adapted or catered to the new habits of social media consumption, especially among the younger Indigenous generations, who wish to use their own devices to document artistic processes embedded in the cultural heritage of their ancestors, which is sensitive information they may not readily share. The objective of this paper is to explore how digital devices can foster a critical exchange by Indigenous communities. One important finding is that not all communities want such an exchange, but artists, for example, can use them without sharing content beyond personal use. This paper emphasises the challenge of making the intentions behind a story clear to users while guarding this intention and meaning from misuse.
KW - Human-Computer Interaction (HCI)
KW - Indigenous artist
KW - artmaking
KW - living cultural heritage (LCH)
UR - https://link.springer.com/chapter/10.1007/978-3-031-61698-3_34
UR - http://www.scopus.com/inward/record.url?scp=85200670978&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85200670978&partnerID=8YFLogxK
U2 - 10.1007/978-3-031-61698-3_34
DO - 10.1007/978-3-031-61698-3_34
M3 - Conference contribution
SN - 978-3-031-61697-6
T3 - Lecture Notes in Computer Science
SP - 309
EP - 315
BT - Design for Equality and Justice
A2 - Bramwell-Dicks, Anna
A2 - Evans, Abigail
A2 - Winckler, Marco
A2 - Petrie, Helen
A2 - Abdelnour-Nocera, José
PB - Springer
CY - Cham
T2 - International Conference on Human-Computer Interaction
Y2 - 28 August 2023 through 1 September 2023
ER -