Entanglements South–North.Shared Authorship; Co-Creation; Bioart

Satu Miettinen; Amna Qureshi; Heidi Pietarinen; Melanie Sarantou

Entanglements South–North.Shared Authorship; Co-Creation; Bioart

Satu Miettinen, Amna Qureshi (Taiteilija), Heidi Pietarinen (Taiteilija), Melanie Sarantou (Taiteilija)

Taiteiden tiedekunta

Tutkimustuotokset: Taiteellinen ja muu ei-tekstimuotoinen muoto › Taideteos › Itsenäinen taiteellinen teos tai yksityisnäyttely › vertaisarvioitu

Abstrakti

The collection of eight textiles titled Entanglements South-North (2022) are entangled in a dialogue that seeks to explore how the arts can play a role in social change, especially when margins are continually moved to elicit new spaces for transformation.For example, a printed fabric design process involves many translations, moving from analogue to digital, and back. Translating collected data (arctic raw materials: reindeer blood, drawings, photos) via a digital software into colours, images and patterns (point, lines, surfaces), and planting them in a digital environment, then making these digital images material again through printing. What do we gain and lose in these translations?

Alkuperäiskieli	englanti
Julkaisija	Lapin yliopisto taiteiden tiedekunta
Tila	Julkaistu - 2023
OKM-julkaisutyyppi	F1 Julkinen itsenäinen taiteellinen tuotos tai yksityisnäyttely
Tapahtuma	Connectivity and Creativity in times of Conflict: Cumulus Antwerp 2023: 12-15 April 2023 - University of Antwerp, Antwerp, Belgia Kesto: 12 huhtik. 2023 → 15 huhtik. 2023

Tieteenala

Kuvataide ja muotoilu

Viite tähän julkaisuun

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abstract = "The collection of eight textiles titled Entanglements South-North (2022) are entangled in a dialogue that seeks to explore how the arts can play a role in social change, especially when margins are continually moved to elicit new spaces for transformation.For example, a printed fabric design process involves many translations, moving from analogue to digital, and back. Translating collected data (arctic raw materials: reindeer blood, drawings, photos) via a digital software into colours, images and patterns (point, lines, surfaces), and planting them in a digital environment, then making these digital images material again through printing. What do we gain and lose in these translations? ",

author = "Satu Miettinen and Amna Qureshi and Heidi Pietarinen and Melanie Sarantou",

year = "2023",

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Entanglements South–North.Shared Authorship; Co-Creation; Bioart. Miettinen, Satu (Tekijä); Qureshi, Amna (Taiteilija); Pietarinen, Heidi (Taiteilija) et al.. 2023. Lapin yliopisto taiteiden tiedekuntaTapahtuma: Connectivity and Creativity in times of Conflict, University of Antwerp, Antwerp, Belgia.

Tutkimustuotokset: Taiteellinen ja muu ei-tekstimuotoinen muoto › Taideteos › Itsenäinen taiteellinen teos tai yksityisnäyttely › vertaisarvioitu

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N2 - The collection of eight textiles titled Entanglements South-North (2022) are entangled in a dialogue that seeks to explore how the arts can play a role in social change, especially when margins are continually moved to elicit new spaces for transformation.For example, a printed fabric design process involves many translations, moving from analogue to digital, and back. Translating collected data (arctic raw materials: reindeer blood, drawings, photos) via a digital software into colours, images and patterns (point, lines, surfaces), and planting them in a digital environment, then making these digital images material again through printing. What do we gain and lose in these translations?

AB - The collection of eight textiles titled Entanglements South-North (2022) are entangled in a dialogue that seeks to explore how the arts can play a role in social change, especially when margins are continually moved to elicit new spaces for transformation.For example, a printed fabric design process involves many translations, moving from analogue to digital, and back. Translating collected data (arctic raw materials: reindeer blood, drawings, photos) via a digital software into colours, images and patterns (point, lines, surfaces), and planting them in a digital environment, then making these digital images material again through printing. What do we gain and lose in these translations?

M3 - Artefact

PB - Lapin yliopisto taiteiden tiedekunta

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